1066. This is unquestionably the most important work of the group and it is a masterpiece in its genre. 101. Brown, Jonathan, Velázquez. Lozoya, Juan de Contreras y López de Ayala, Marqués de, Historia del arte hispánico, Salvat, Barcelona, 1945, pp. 92 / lám83. Hellwig, K., ¿Firmar o no firmar? 36. Viste armadura pavonada con filetes de oro, banda carmesí terciada al pecho, y bastón de mando en la diestra. Núm. Núm. Available for sale from Ricardo Van Parmar Gallery , Mandy Racine, Philip IV on Horseback (2020), Mixed media on canvas, 170 × 170 cm 06.06.2020 - 28.02.2021, El palacio del Rey Planeta. After years of exploring the continent’s many cultures and countries, I had a personal desire to create a workspace in West Africa. 109 / lám. Portús, Javier, Velázquez 'Felipe IV, a caballo'. Mar 13, 2015 - FreeArt provides Free 8x10 inch prints. “I am interested in transformation and artifice,” Wiley states. 93. Oil on canvas. González de Zárate, Jesús María; Lafuente Ferrari, Enrique, Saavedra Fajardo y la literatura emblemática, Traza y Baza, 10, Valencia, 1985, pp. 116. Ponz, Antonio, Viage de España, I, Joachin Ibarra, Madrid, 1776, pp. [248] Ottra [pintura] del mismo tamaño [cuatro varas de largo y tres y media de alto] y marco [dorado] rettratto del señor Rey Don Phelipe quartto a Cauallo de mano de Diego Velazquez pintor de Camara no se taso por ser de persona real. 291. 66. Hellwig, Karin, Las firmas de Velázquez, Boletín del Museo del Prado, XIX, 2001, pp. I’ve been a luxury lifestyle writer and editor for 15 years, meaning I’ve met with today’s movers and shakers and gone behind the scenes to observe master craftsmen at. Medium: Etching. Le Prado, San Fernando, L'Armeria, Gazette des Beaux Arts, Paris, 1896, pp. Paso de Tribuna y Trascuartos [...] [12781] 248-249 / = Retiro = Otrso dos [quadros] iguales que representan al Sr. don Phe. You may opt-out by. All Rights Reserved. The Buen Retiro and the Court of Philip, Yale University Press, New Haven-Londres, 1980, pp. Philip IV on Horseback portrait Diego Velazquez for sale, the price is only 5%-20% of the retailing prices at galleries in your city! Palazzo Pitti, Galleria Palatina, Florence, Italy. Trapier, Elizabeth du Gué, Velázquez, The Trustees, Nueva York, 1948, pp. 22. 91. Barghahn, Barbara Von, Philip IV and the Golden House of the Buen Retiro in the Tradition of Caesar, Garland PublishingInc, Nueva York. During that era, equestrian portraits were painted to portray the high-status of the sitter on horseback. All Rights Reserved, This is a BETA experience. The subject here is portrayed in a powerful, confident pose. 191 cat.48, 235, cat.69. Garrido Pérez, Carmen, Velázquez: técnica y evolución, Museo del Prado, Madrid, 1992, pp. 226 / lám. I’ve rubbed shoulders with the biggest names in luxury, partied with celebrities and hung out with the most exciting artists and designers of our generation, while watching out for the rising stars of art, design, architecture, horology and jewellery. lám. Navigate to content in this page, Accessibility Assistance, opens A D A page, {{display.selectedProductInfo.Navigation.CategoryTitle}}. Catálogo de las pinturas, Museo del Prado, Madrid, 1972. Inv. / Alto 10 pies, 9 pulg, 6 lin; ancho 11 pies, 3 pulg. Black Friday Going On Now! The two works have multiple similarities that affect both their composition and content. There’s a swagger, a self-empowered knowing that you see in old European paintings, and I love hijacking that language, but that language exists already for many people that I know and love, people who look like me. The Equestrian Portrait of Philip IV was a portrait of Philip IV of Spain on horseback, painted by Velázquez in 1635-36 as part of a series of equestrian portraits for the Salón de Reinos at the palacio del Buen Retiro in Madrid (a series that also included that of Philip's son prince Balthasar Charles).. This portrait is by Diego Velazquez called Philip IV on Horseback. The Equestrian Portrait of Philip IV was a portrait of Philip IV of Spain on horseback, painted by Velázquez in 1635-36 as part of a series of equestrian portraits for the Salón de Reinos at the palacio del Buen Retiro in Madrid (a series that also included that of Philip's son prince Balthasar Charles). The Equestrian Portrait of Philip IV was a portrait of Philip IV of Spain on horseback, painted by Velázquez in 1635-36 as part of a series of equestrian portraits for the Salón de Reinos at the palacio del Buen Retiro in Madrid (a series that also included that of Philip's son prince Balthasar Charles). Saxl, Fritz, La vida de las imágenes: estudios iconográficos sobre el arte, Alianza Editorial, Madrid, 1989, pp. 1814, Madrid, 1814. Each canvas print is 1.25” deep, with a hard, sealed finish back and pre-installed hanging hardware, so it’s designed to hang tough and is super easy to display. Philip IV on horseback' En: Velázquez. lám. Cruz Valdovinos, José Manuel, Velázquez: vida y obra de un pintor cortesano, Caja Inmaculada, 2011, pp. 31. Sadly, Elisabeth was to die young, a common problem during this time, and he would then marry again to the daughter of the Emperor Ferdinand, Maria Anna. For the sake of lifestyle journalism, I’ve interviewed the likes of Monica Bellucci, Lenny Kravitz, Ralph Lauren, Giorgio Armani, David Adjaye, Frank Gehry, Shigeru Ban, Karim Rashid, Marc Newson, David LaChapelle and Yue Minjun, sharing my insights with readers of Robb Report, T Magazine, Artinfo.com, International Watch, The Peak, Asia Tatler, Prestige, Surface, Watch Journal, Manifesto, Art Republik and The Straits Times, among others.